jobs in local radio stations
local transcription jobs

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Jobs in local radio stations local courier delivery jobs

Jobs in local radio stations

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How to get a job in radio How to get a job in radio Tips for graduates looking for a job in radio. Save Share In order to get a job, you have to know where you would like to work. Listening to radio is crucial to make this decision. Having made this decision, persistence is key. A common theme for graduates now working in radio is that constant phone calls just short of harassment! It is important to meet if possible, rather than writing or making a phone call.

A portfolio on tape or CD to bring to meetings is essential. This should reflect a variety of styles, introduce some music, some news, weather, and interviews. Your portfolio should also be included with your CV in job applications.

Start small — try local or community stations. Starting salaries at the BBC tend to be higher. Freelance radio broadcast assistants need to negotiate their own rates, which can vary significantly. Income figures are intended as a guide only. Working hours Working hours are usually long.

Shifts vary depending on the programme you're working on, but typically include some evening and weekend work and occasionally overnight shifts. Tight deadlines may require you to work overtime. You will also need to be prepared to cover for colleagues who are on holiday or absent through sickness. What to expect The working environment varies depending on what you are working on. You may be required to work on outside broadcasts as well as preparing material in the studio, and undertaking administrative duties in offices.

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The working day is often unpredictable and is generally led by how well a recording is progressing. Work on live programmes can be more predictable due to set on-air times. The atmosphere is informal and sociable, but the work can be pressured with tight deadlines.

Posts are available all over the UK in towns and cities where there are local BBC and commercial radio stations. National BBC and commercial radio stations are usually broadcast from major cities including London and Manchester. The ability to relocate can be beneficial when developing a radio career.

Self-employment and freelance work are possible. Radio broadcast assistants at both the BBC and independent radio are often employed on a freelance or short-term contract basis. Travel within a working day is occasionally necessary, but overseas work or travel is rare. Qualifications A degree or HND isn't essential to become a radio broadcast assistant. However, competition is extremely tough and many assistants are graduates.

Therefore, a relevant qualification in radio or media production may improve your chances.

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The role entails keeping the audience entertained, informed, engaged, and glued to the station's programming. It's vital to have a shining personality and come off as likeable and relatable. On-air shifts typically last for about 2 to 4 hours. Attending the station's events or hosting remote broadcasts like road shows.

Researching, editing, and writing scripts. Pre-interviewing scheduled guests to build rapport. Well, the announcer is the voice of the station. Presenters often voice single shows. The announcer is valued for their voice, the presenter for their personality, and ability to entertain.

Now that we have made the distinction—and feeling like a couple of brainiacs—what set of responsibilities does the announcer take on? Introducing music and shows. Read the news copy and commercial copy. Voicing the station's imaging like the call letters, station ID, weather announcements, trails, promos, etc.

Researching and formulating scripts. At smaller stations, the presenter may also take on programming tasks, sell advertisement packages, schedule promos and ads, prepare content for the station's website and more. They come up with unique scripts for commercials on behalf of clients. Among jobs at radio stations, the role may not be widely advertised.

The copywriter may also prepare email campaigns, brochures, show summaries, website content, etc. They also proofread copy written by other employees at the studio. Well, a traffic manager's domain is the commercial studio. The job entails prepping the entire schedule for the broadcast day. To do this, the manager will collaborate with the sales and programming department.

The goal is to establish a proper balance between the needs of the advertising clients and the programming team whose central role is to thrill their listeners. It is also the job of the traffic manager to know how many ad slots are available and relay this information to the salespeople. The traffic manager also ensures that content is available either from outside sources or in-house production teams; and that it meets the legal requirements imposed by the FCC in the USA and the quality standards of the station.

And the traffic manager will load the promos, ads and other items into the station's playout system. With regular orders streaming from the sales department, traffic managers operate in fast-paced environments. They install new systems and perform preventive maintenance on existing hardware to minimize failures.

And when the problems arise, the engineer must troubleshoot and solve them quickly. It's one of the key jobs at big commercial radio stations with fewer career opportunities available at smaller stations. Time is of the essence in such situations—because when the broadcast is down, the station listeners may tune in to competing stations. For instance, ensuring the schedule is adhered to, the film is within the budget, etc. In the studio, the producer oversees live and remote broadcasts.

Usually, the producer will coordinate with the host to create awesome shows. In this capacity, the producer might suggest the best questions to ask guests or signal when an ad-break is approaching. If you work for a smaller station, you may have more creative input and your role could include more high-profile activities, such as: researching and interviewing guests researching news stories and pitching new ideas creating and producing items of a programme choosing music presenting shows or small sections of a programme, such as news items and reviews of music, films or books.

Salary Salary levels are fairly low in many parts of the industry. Starting salaries at the BBC tend to be higher. Freelance radio broadcast assistants need to negotiate their own rates, which can vary significantly. Income figures are intended as a guide only.

Working hours Working hours are usually long. Shifts vary depending on the programme you're working on, but typically include some evening and weekend work and occasionally overnight shifts. Tight deadlines may require you to work overtime. You will also need to be prepared to cover for colleagues who are on holiday or absent through sickness.

What to expect The working environment varies depending on what you are working on. You may be required to work on outside broadcasts as well as preparing material in the studio, and undertaking administrative duties in offices. The working day is often unpredictable and is generally led by how well a recording is progressing.

Work on live programmes can be more predictable due to set on-air times. The atmosphere is informal and sociable, but the work can be pressured with tight deadlines. Posts are available all over the UK in towns and cities where there are local BBC and commercial radio stations.

National BBC and commercial radio stations are usually broadcast from major cities including London and Manchester. The ability to relocate can be beneficial when developing a radio career. Self-employment and freelance work are possible. Radio broadcast assistants at both the BBC and independent radio are often employed on a freelance or short-term contract basis.

Travel within a working day is occasionally necessary, but overseas work or travel is rare. Qualifications A degree or HND isn't essential to become a radio broadcast assistant.

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FAQ About Working In RADIO!

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